BRALESS IN DIOR
BRA-LESS IN DIOR
We were shooting accessories, so I didn’t bother about my underwear.
The studio was big, empty and windowless. A corner was curtained off by a few meters of thin brown stuff, half concealing a shelf, a chair, a mirror, a hair-stylist, a manicurist and a makeup artist.
Half way down the room was the clothes rail and, at the other end, a table laden with bags, scarves, brooches and earrings; beneath the table, rows of shoes.
It was like a Lost Property Office; the shoes jumbled heel to toe; the clothes squashed together like reduced items in a charity shop.
‘How many models for this shoot?’ I ask. Two men straighten up from fiddling with cameras and a lap-top. ‘Only you.’
The dressers are kind and polite. Seeing my M&S slip, they say, ‘what a beautiful slip, where did you get it?’
‘From M&S,’ I answer, uncertain whether I am scoring a point or going to the bottom of the class
To step out of one’s M&S/Mail Order kit and into (or have gently lowered over one’s head) something as beautiful, as finely textured, and as subtle or vivid in colour, as a designer dress is surreal. I try to forget the book about the charlady who wins a prize and spends it on a couture gown before realising how grotesque she looks in it.
It is a long day; from 9.00am to 5.30pm we move up through Chanel Bouclé suits and various other rather odd, but definitely classy confections (the right word, given the frills and boiled sweet colours).
After lunch, I hang on to a shoulder and slip my bare feet into a pair of cream Jimmy Choo’s, then into black Ferragamo’s. I am clothed, beguiled and bedazzled in turn by Chanel, Prada, Gucci, Valentino and others I am too enthralled to ask about.
And the Dior? It is scarlet with a long full skirt of floating panels, delicate and transparent as cobwebs. The dressers kneel and drape it round my feet. The make-up artist rushes over and pats my lips. The hairstylist tweaks my hair. It is strapless. This is not a dress; this is most definitely a gown, and it is to die for.